• Raksha Parekh, Sweet-Sweat-Spots, 2007-09. Sugar, cotton cloth, and paper, dimensions variable. Courtesy of the artist. Photo: Noel Bass.
  • Sonya Clark, Encrusted (Blinded + Drowning), 2015. Currency and sugar crystals, 4 x 6 each. Courtesy of the artist. Photo: Taylor Dabney.
  • Sonya Clark, Encrusted (Blinded + Drowning), 2015. Currency and sugar crystals, 4 x 6 each. Courtesy of the artist. Photo: Taylor Dabney.
  • Ken + Julia Yonetani, Grape chandelier, 2011. Murray River salt and metal, 90.5 x 55.1 inches. Courtesy of Ken + Julia Yonetani and Mizuma Gallery, Singapore. Photo: Catherine Brossais.
  • Jovencio de la Paz, Bluets (for Maggie Nelson), 2014. Natural indigo batik on cotton, 48 x 200 inches. Collection of Alexis Koran. Image courtesy of the artist.
  • Ignacio Perez Meruane, remove (copper art in the Andean world), 2018-19. Kiln-formed glass, waterjet cut copper, wood, copper ore, and monoprints, dimensions variable. Courtesy of the artist. Photo: Noel Bass.
  • remove (copper art in the Andean world), 2018-19. Kiln-formed glass, waterjet cut copper, wood, copper ore, and monoprints, dimensions variable. Courtesy of the artist. Photo: Noel Bass.
  • Charmaine Bee, untitled indigo piece #3, portal series, 2017. 1,458 tea bags, fermented indigo, and gold thread, 192 x 144 inches. Courtesy of the artist. Photo: Noel Bass.
  • Amor Muñoz, Yuca_Tech, 2014-2015. Textiles with electronics and video documentation, dimensions variable. Courtesy of the artist. Photo: Amor Muñoz Studio.

RAW

Related

  • Para Los Desaparecidos
  • Prima Lingua, oil and acrylic on panel, 48" x 72"
  • Lidded pots.
  • Plate, 1963, glazed stoneware, torn, sliced, gouged, sgraffito. Scripps College, Claremont, California, gift of Mr. and Mrs. Fred Marer. Courtesy the Voulkos & Co. Catalogue Project. Photo © schoppleinstudio.com.