• Dustin Farnsworth, styx/vodun, 2016, poplar, flowers and various polychrome. Collection of the artist.
  • Dustin Farnsworth and Timothy Maddox, WAKE II, 2017, aquaresin, hydrostone, various polychrome, canvas and vinyl acrylic paint. Collection of the artist.
  • Image of Dustin Farnsworth with WAKE II
  • Dustin Farnsworth, Promontory, 2013, pine, brasswood, poplar, plywood, veneer bendable plywood, steel, luan, human hair and various polychrome. Collection of the artist.
  • Stephanie Syjuco, The Visible Invisible: Plymouth Pilgrim (Simplicity), Antebellum South (Simplicity), Colonial Revolution (McCall’s), 2018, cotton muslin, chromakey backdrop fabric, polyester satin, crocheted cotton, ribbon, lace, buttons and display form. Collection of the artist.
  • Sharif Bey, Star Child Series #1, 2017, earthenware, mixed media and nails. Collection of the artist.
  • Sharif Bey, Nestle, 2018, glass and mixed media. On loan from the Petrucci Family Foundation Collection of African American Art.
  • Sharif Bey, Louie Bones—Omega, 2017, earthenware, vitreous china and mixed media. Collection of the artist. Photo by Devon Harper Gelhar
  • Sharif Bey, Ceremonial Vessel I, 2016, earthenware and china shards. Collection of the artist.
  • Sharif Bey, Carved Blue Jar, 2007, black stoneware. Collection of the artist.
  • Tanya Aguiñiga, Palapa, 2017, powder-coated steel and synthetic hair. Courtesy of Volume Gallery, Chicago
  • Tanya Aguiñiga, Nopal, 2017, abaca pulp, clay, alpaca, flax, succulents, iron, horsehair, cochineal (live and dead), copper, gold and human hair. Courtesy of Volume Gallery, Chicago
  • Tanya Aguiñiga, Hand-Felted Folding Chairs, 2006–present, hand-felted metal folding chairs. Collection of the artist.
  • Tanya Aguiñiga, Border Quipu/Quipu Fronterizo, 2016, recycled dress and bathing suit straps. Collection of the artist.
  • Stephanie Syjuco, Total Transparency (Background Layer Bleed), 2017, hand-sewn quilting cotton, Collection of the artist and courtesy RYAN LEE Gallery
  • Stephanie Syjuco, Neutral Calibration Studies (Ornament + Crime), 2016, wooden platform, neutral grey seamless backdrop paper, digital adhesive prints on laser-cut wooden props, dyesublimation digital prints on fabric, items purchased on eBay and craigslist, photographic prints, artificial and live plants and neutral calibrated gray paint. Collection of the artist and Nion McEvoy. Photo by Libby Weiler
  • Dustin Farnsworth, XLIII, 2016, poplar, reclaimed wood, chair, pencil and various polychrome. Collection of Sandy Berlin.
  • Image of Tanya Aguiñiga in her studio.
  • Image of Stephanie Syjuco in her studio.
  • Image of Sharif Bey in his studio.

Disrupting Craft

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  • Amimeori or ‘mesh’ pattern weave